Circuit Fantôme
Series of Octophonic Pieces
︎Vronihof

SEASON 1,  JUL 29 – OCT 01,  2022, FRIDAY + SATURDAY

Daniel TERUGGI 
29/30 Jul      #01
 Luis NAÓN  05/06 Aug   #02
Mario MARY  12/13 Aug     #03
Philippe MION  19/20 Aug    #04
Pierre HENRY  26/27 Aug    #05
Sergey KHISMATOV 02/03 Sept  #06
Symphony of industrial Horns (reconstruction)
François BAYLE  09/10 Sept   #07
Christine GROULT, PATRICK K.-H.  16/17 Sept    #08
Beatriz FERREYRA  23/24 Sept  #09
Ksenia BAKHTINA, Vera BEZRUKOVA  30/01 Oct     #10


More about Circuit Fantôme...

supported by Stadt Wien Kultur and Institut Français


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Circuit Fantôme

Season 1 Episode 2

Luis Naón
Weekly series of Octophonic Pieces
curated by Anton Iakhontov in close cooperation with Daniel Teruggi

August 05  - August 06, 2022 | 18.00-22.00

︎Vronihof
      Veronikag. 24
      1170 Wien


Supported by Stadt Wien Kultur and Institut Français



Information
About the Series

Live performance | Round table | Artist talks | Listening sessions

Circuit fantôme is a weekly performance series for octophonic music. It is put together with the ACOUSMONIUM regular peer-advisor Daniel Teruggi and takes place in Vronihof, 1170 Vienna. 

Don´t miss the other events of the series
Always Friday and Saturday July 29 – October 01, 2022

Full programme & dates ...


Circuit Fantôme Season 1 Episode 2
Luis Naón
@Vronihof

August 05, 2022   Friday
18.00 – 22.00   Listening session

August 06, 2022   Saturday
18.00 – 22.00   Listening session

Composition   ─  Lascaux Urbana (Urbana 2), 43’40 (2004)


What will happen in this Episode?


Luis NAÓN was born in 1961, La Plata (Argentina). He undertook Musical studies at the National University of La Plata, Buenos Aires then at the Conservatoire National Supérieur de Musique in Paris with Guy Reilbel, Laurent Cuniot, Daniel Teruggi, Sergio Ortega and Horacio Vaggione. PhD in Esthétique, Science et Technologie des Arts at Paris 8.

Read more about Luis Naón


Lascaux Urbana (Urbana 2), 43’40 / 2004

Commissioned by the French government — Premiered at Musiques Inventives in Annecy, Bonlieu Scène Nationale, 3 november 2004.

The work consists of 8 Canciones and 4 interludes. Each part has a dominant in the sense of colour, material and tempo. The recording work with the instrumentalists, harp, cello, bass clarinet and contrabass clarinet, are mingled with percussive sound bodies I recorded myself. Synthesis, very little exploited in this work, is confined to the use of physical models, rudimentary and in accordance with the initial idea of a musical universe at its origins. Voluntary, the instruments and the synthesis are here coarse or redirected.

The movements are:
  1. Percussions résonantes (4’30)
  2. Rauque – Gratté (4’20)
  3. Interlude I (2’08)
  4. Synthèse primitive (3’51)
  5. Interlude 2 Transition (1’18)
  6. Souffle resonant (4’32)
  7. Interlude 3 - Instrument étendu (2’48)
  8. Du Presque rien (5’10)
  9. Interlude 4 - Métaux frottés (2’08)
  10. A travers une harpe (3’11)
  11. Jeux rythmiques (5’05)
  12. Résonances lointaines (4’15)



Preview – What will happen next?

Don´t miss the other events of the series:  Always Friday and Saturday  —  #2 | 05.08. + 06.08.2022 | Luis Naón  —  #3 | 12.08. + 13.08.2022 | Mario Mary  —  #4 | 19.08. + 20.08.2022 | Philippe Mion  —  #5 | 26.08. + 27.08.2022 | Pierre Henry  —  #6 | 02.09. + 03.09.2022 | Sergey Khismatov (Reconstruction of Symphony of industrial Horns by Avraamov)  —  #7 | 09.09. + 10.09.222 | François Bayle  —  #8 | 16.09. + 17.09.2022 | Christine Groult, Patrick K.-H.  —  #9 | 23.09. + 24.09.2022 | Beatriz Ferreyra  —  #10 | 30.09. + 01.10.2022 | Ksenia Bakhtina, Vera Bezrukova

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