FLOATING SOUND GALLERY
Vienna
PREVIOUS EVENTS FOR THY
︎ EARS ︎ MIND ︎ EYES
︎ EARS ︎ MIND ︎ EYES
Circuit Fantôme
Weekly series of Octophonic Pieces
curated by Anton Iakhontov in close cooperation with Daniel Teruggi
The performance series is put together with the ACOUSMONIUM regular peer-advisor Daniel Teruggi. Multichannel works of French, as well as international composers/sound artists will be presented in an octophonic setup. Each week an artist is invited to present a piece. The piece will be played in a loop for two days; the listener is invited to experience sound in a unique way.
More information here ...
Weekly series of Octophonic Pieces
curated by Anton Iakhontov in close cooperation with Daniel Teruggi
The performance series is put together with the ACOUSMONIUM regular peer-advisor Daniel Teruggi. Multichannel works of French, as well as international composers/sound artists will be presented in an octophonic setup. Each week an artist is invited to present a piece. The piece will be played in a loop for two days; the listener is invited to experience sound in a unique way.
More information here ...
Ksenia Bakhtina / Vera Bezrukova
Circuit Fantôme Season 1 Episode 10
Listening session
Ksenia Bakhtina – musician, conductor and cross-disciplinary artist. She works in the fields of electroacoustic / acousmatic music as well as sound installation.
Vera Bezrukova is a musician and media artist. She graduated from the School of Improvisational Music (St. Petersburg). Participated in various improvisational projects.
More information here ...
Circuit Fantôme Season 1 Episode 10
Listening session
Ksenia Bakhtina – musician, conductor and cross-disciplinary artist. She works in the fields of electroacoustic / acousmatic music as well as sound installation.
Vera Bezrukova is a musician and media artist. She graduated from the School of Improvisational Music (St. Petersburg). Participated in various improvisational projects.
More information here ...
September 30 + October 01, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Beatriz Ferreyra
Circuit Fantôme Season 1 Episode 9
Listening session
1. Cercles des rondes (Rounds´circles), 11’ / 1982 / Tape music version — 2. La Ba-balle du chien-chien à la mé-mère (The ball of the old lady´s dog) 11’19’’ / 2001 — 3. Huellas entreveradas (Entangled paths), 14’35’’ / 2018 — 4. Echoes (Echoes), 8’37’’ / 1978 — 5. L´autre rive (The other shore), 17’26’’ / 2007
Beatriz Ferreyra worked at O.R.T.F. (French National Television), as a member of the Group of Musical Researches (G.R.M), under the leadership of Pierre Schaeffer (1963-70), contributed to Pierre Schaeffer’s book «Traité des Objets Musicaux» (1966), participated to the records realization from «Solfège de l’Objet Sonore» by Pierre Schaeffer (1967). Since 1970 she is a free composer.
More information here ...
Circuit Fantôme Season 1 Episode 9
Listening session
1. Cercles des rondes (Rounds´circles), 11’ / 1982 / Tape music version — 2. La Ba-balle du chien-chien à la mé-mère (The ball of the old lady´s dog) 11’19’’ / 2001 — 3. Huellas entreveradas (Entangled paths), 14’35’’ / 2018 — 4. Echoes (Echoes), 8’37’’ / 1978 — 5. L´autre rive (The other shore), 17’26’’ / 2007
Beatriz Ferreyra worked at O.R.T.F. (French National Television), as a member of the Group of Musical Researches (G.R.M), under the leadership of Pierre Schaeffer (1963-70), contributed to Pierre Schaeffer’s book «Traité des Objets Musicaux» (1966), participated to the records realization from «Solfège de l’Objet Sonore» by Pierre Schaeffer (1967). Since 1970 she is a free composer.
More information here ...
September 23 + September 24, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Christine Groult / Patrick K.-H.
Circuit Fantôme Season 1 Episode 8
Listening session
Christine Groult
Si je les écoutais… , 18’ / 2008 — Eux mêlées, 29’ / 2021
Christine Groult is particularly interested in the poetic potential of sounds (recordings and their transformations) and in novel dramatic sound effects. Electroacoustic music is her mode of expression.
Patrick K.-H.
postard 01 (Intro 4), 03’55’’/stereo/2021-22 — postard 04 (Waltz 22), 03’48’’/stereo/2021-22
Patrick K.-H. (aka Anton Iakhontov) collages within the fields of sound installations, live and tape acousmatic and animation (1,2), exercising cross fertilisation.
postards series realised with the support of Stadt Wien Kultur
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More information about the Event here ...
Circuit Fantôme Season 1 Episode 8
Listening session
Christine Groult
Si je les écoutais… , 18’ / 2008 — Eux mêlées, 29’ / 2021
Christine Groult is particularly interested in the poetic potential of sounds (recordings and their transformations) and in novel dramatic sound effects. Electroacoustic music is her mode of expression.
Patrick K.-H.
postard 01 (Intro 4), 03’55’’/stereo/2021-22 — postard 04 (Waltz 22), 03’48’’/stereo/2021-22
Patrick K.-H. (aka Anton Iakhontov) collages within the fields of sound installations, live and tape acousmatic and animation (1,2), exercising cross fertilisation.
postards series realised with the support of Stadt Wien Kultur
More information about the Event here ...
September 16 + September 17, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
François Bayle
Circuit Fantôme Season 1 Episode 7
Listening session
1. Cercles, 13’17’’/2000-2001 — 2. Tremblement de terre très deux, 28’/1978 — 3. Vers, 12’25’’/2018
Bayle’s œuvre is notable for its masterly craftsmanship and rhetoric, its agile discourse and its sophisticated thought. To date, he has composed 99 works.
More information here ...
Circuit Fantôme Season 1 Episode 7
Listening session
1. Cercles, 13’17’’/2000-2001 — 2. Tremblement de terre très deux, 28’/1978 — 3. Vers, 12’25’’/2018
Bayle’s œuvre is notable for its masterly craftsmanship and rhetoric, its agile discourse and its sophisticated thought. To date, he has composed 99 works.
More information here ...
September 09 + September 10, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Sergey Khismatov
Symphony of industrial Horns by Arseny Avraamov (Reconstruction)
Circuit Fantôme Season 1 Episode 6
Listening session / (not so) round table
The Symphony of Industrial Horns by Arseny Avraamov was created in 1922 and was performed in Baku in 1922 and Moscow in 1923. The stage was a whole city; the main instruments were industrial horns, horns of fleet and trains, cannon and machine guns, sirens, large choir, aviation and others.
The reconstruction – created by Sergey Khismatov in 2009 – is based on Mandate (1923) by Avraamov.
(Not so) round table
Semi-Live at Vronihof
Symphony of Industrial Horns
Participants — Daniel Teruggi, Sergey Khismatov
Moderating participant — Anton Iakhontov aka. Patrick K.-H.
More information here ...
Symphony of industrial Horns by Arseny Avraamov (Reconstruction)
Circuit Fantôme Season 1 Episode 6
Listening session / (not so) round table
The Symphony of Industrial Horns by Arseny Avraamov was created in 1922 and was performed in Baku in 1922 and Moscow in 1923. The stage was a whole city; the main instruments were industrial horns, horns of fleet and trains, cannon and machine guns, sirens, large choir, aviation and others.
The reconstruction – created by Sergey Khismatov in 2009 – is based on Mandate (1923) by Avraamov.
(Not so) round table
Semi-Live at Vronihof
Symphony of Industrial Horns
Moderating participant — Anton Iakhontov aka. Patrick K.-H.
More information here ...
September 02, 2022
Friday
18.00 – 19.30 — Round table
19.30 – 22.00 — Live performance / Listening session
September 03, 2022
Saturday
18.00 – 22.00 — Live performance / Listening session
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday
18.00 – 19.30 — Round table
19.30 – 22.00 — Live performance / Listening session
September 03, 2022
Saturday
18.00 – 22.00 — Live performance / Listening session
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Pierre Henry
Circuit Fantôme Season 1 Episode 5
Listening sessions — Stereo composition, performed live in an octophonic setting:
Labyrinthe !
Pierre Henry, born December 9, 1927 in Paris; † July 5, 2017, was a contemporary French composer. He is considered a pioneer of electronic music and musique concrète. Pierre Henry not only influenced new music in the second half of the 20th century, but he is also considered as one of the "fathers" of techno, along with Karlheinz Stockhausen.
More information here ...
Circuit Fantôme Season 1 Episode 5
Listening sessions — Stereo composition, performed live in an octophonic setting:
Labyrinthe !
Pierre Henry, born December 9, 1927 in Paris; † July 5, 2017, was a contemporary French composer. He is considered a pioneer of electronic music and musique concrète. Pierre Henry not only influenced new music in the second half of the 20th century, but he is also considered as one of the "fathers" of techno, along with Karlheinz Stockhausen.
More information here ...
August 26 + August 27, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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︎
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Philippe Mion
Circuit Fantôme Season 1 Episode 4
Listening sessions — Multichannel compositions:
Hop(e) | Si c'était du jour | Exposé du crible
Throughout his various courses and artistic projects he has followed a process of reflection together with an experimental practice focussed on invention, a philosophy of the ‘direction of sound’ over an ensemble of loudspeakers.
More information here ...
Circuit Fantôme Season 1 Episode 4
Listening sessions — Multichannel compositions:
Hop(e) | Si c'était du jour | Exposé du crible
Throughout his various courses and artistic projects he has followed a process of reflection together with an experimental practice focussed on invention, a philosophy of the ‘direction of sound’ over an ensemble of loudspeakers.
More information here ...
August 19 + August 20, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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︎
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Mario Mary
Circuit Fantôme Season 1 Episode 3
Listening sessions — Multichannel compositions:
2261, 10’51’’/2009
Polyphonic Philosophy, 10’42’’/2015
Belgium Snob, 12’47’’/2017
Le sophistiqué son du Dasein, 17’/2018
Mario MARY holds a PhD in “Aesthetics, Sciences and Technology of the Arts” (Paris 8 University, France). He is currently Professor of Electroacoustic Composition at the Academy Rainier III of Monaco and Artistic Director of Monaco Electroacoustique - International Encounters of Electroacoustic Music. Between 1996 and 2010 he taught Computer Assisted Composition at Paris 8 University, where he created and directed the Concerts Series of Computer Music.
More information here ...
Circuit Fantôme Season 1 Episode 3
Listening sessions — Multichannel compositions:
2261, 10’51’’/2009
Polyphonic Philosophy, 10’42’’/2015
Belgium Snob, 12’47’’/2017
Le sophistiqué son du Dasein, 17’/2018
Mario MARY holds a PhD in “Aesthetics, Sciences and Technology of the Arts” (Paris 8 University, France). He is currently Professor of Electroacoustic Composition at the Academy Rainier III of Monaco and Artistic Director of Monaco Electroacoustique - International Encounters of Electroacoustic Music. Between 1996 and 2010 he taught Computer Assisted Composition at Paris 8 University, where he created and directed the Concerts Series of Computer Music.
More information here ...
August 12 + August 13, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Luis Naón
Circuit Fantôme Season 1 Episode 2
Listening sessions — Multichannel composition: Lascaux Urbana (Urbana 2), 43’40/2004
Luis NAÓN was born in 1961, La Plata (Argentina). He undertook Musical studies at the National University of La Plata, Buenos Aires then at the Conservatoire National Supérieur de Musique in Paris with Guy Reilbel, Laurent Cuniot, Daniel Teruggi, Sergio Ortega and Horacio Vaggione. PhD in Esthétique, Science et Technologie des Arts at Paris 8.
More information here ...
Circuit Fantôme Season 1 Episode 2
Listening sessions — Multichannel composition: Lascaux Urbana (Urbana 2), 43’40/2004
Luis NAÓN was born in 1961, La Plata (Argentina). He undertook Musical studies at the National University of La Plata, Buenos Aires then at the Conservatoire National Supérieur de Musique in Paris with Guy Reilbel, Laurent Cuniot, Daniel Teruggi, Sergio Ortega and Horacio Vaggione. PhD in Esthétique, Science et Technologie des Arts at Paris 8.
More information here ...
August 05 + August 06, 2022
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
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︎
Friday + Saturday
18.00 – 22.00 — Listening sessions
︎Vronihof – Veronikag. 24,
1170 Wien
supported by
Stadt Wien Kultur and
Institut Français
︎
Martina Claussen & Patrick K.-H. perform postglacial@Kultursommer Wien
Live Performance – Electroacoustic Music
(Live Electronics / Objects / Voice)
More information here ...
Live Performance – Electroacoustic Music
(Live Electronics / Objects / Voice)
More information here ...
Rdeča Raketa
& Patrick K.-H. performing together as Wen oirT@Kultursommer Wien
Live Performance
(Vocals, Live sampling, Synth, Computer)
More information here ...
Live Performance
(Vocals, Live sampling, Synth, Computer)
More information here ...
Daniel Teruggi
Circuit Fantôme Season 1 Episode 1
Known as an amazing teacher, composer, researcher and curator, we are very honoured to not only arrange this programme together with Daniel Teruggi, but also may present and spread his work, word, charme and knowledge.
Live performances / Listening sessions
Austrian premieres
Daniel Teruggi: Unsoundables, 17’/2021 | Nova Puppis, 20’/2020 | Punctus spatio, 17’ / 2022
Round table
Live at Vronihof
Passive progressive, or what's wrong with "experimental music"
Participants — Daniel Teruggi, Elisabeth Zimmermann, Elisabeth Schimana
Moderator — Anton Iakhontov aka. Patrick K.-H.
More information here ...
Circuit Fantôme Season 1 Episode 1
Known as an amazing teacher, composer, researcher and curator, we are very honoured to not only arrange this programme together with Daniel Teruggi, but also may present and spread his work, word, charme and knowledge.
Live performances / Listening sessions
Austrian premieres
Daniel Teruggi: Unsoundables, 17’/2021 | Nova Puppis, 20’/2020 | Punctus spatio, 17’ / 2022
Live at Vronihof
Passive progressive, or what's wrong with "experimental music"
Moderator — Anton Iakhontov aka. Patrick K.-H.
More information here ...
July 29, 2022
Friday
18.00 – 19.30 — Round table
19.30 – 22.00 — Live performance / Listening session
July 30, 2022
Saturday
18.00 – 22.00 — Live performance / Listening session
The artist is present
︎ Vronihof
Veronikagasse 24
supported by
Stadt Wien Kultur and
Institut Français
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Friday
18.00 – 19.30 — Round table
19.30 – 22.00 — Live performance / Listening session
July 30, 2022
Saturday
18.00 – 22.00 — Live performance / Listening session
The artist is present
︎ Vronihof
Veronikagasse 24
supported by
Stadt Wien Kultur and
Institut Français
︎ ︎
Soundwalk III
1170 Vienna
In collaboration with Vronihof / Setzkasten / Sandkasten Syndikat / Modul
- Quadro-/Octaphonic multi channel compositions
- Live improvisations
Information about the programme here
1170 Vienna
In collaboration with Vronihof / Setzkasten / Sandkasten Syndikat / Modul
- Quadro-/Octaphonic multi channel compositions
- Live improvisations
Information about the programme here
June 18 , 20222
18.00-22.00
︎ Vronihof
Veronikagasse 24
︎ Setzkasten
Hernalser Hptstr. 29
︎ Sandkasten Syndikat
Jörgerstraße 56
︎ Modul
Hernalser Hptstr. 31
︎
Katharina Klement / Patrick K.-H. / Axel Dörner
5 levels・M.A.D.
at Superspreading Art by chmafu nocords
Axel Dörner: trumpet & electronics
Patrick K.-H.: video & audio electronics
Katharina Klement: zither, objects, electronics
More information here
5 levels・M.A.D.
at Superspreading Art by chmafu nocords
Axel Dörner: trumpet & electronics
Patrick K.-H.: video & audio electronics
Katharina Klement: zither, objects, electronics
More information here
Reveil / Colophon Soundcamp 2022
Live Stream
CONA | institute for contemporary arts processing introduces transmission works by
— KSENIA BAKHTINA
— PATRICK K.-H.
— SECRETWAR
— VICTORIA MORGUNOVA
Read more...
Live Stream
CONA | institute for contemporary arts processing introduces transmission works by
— KSENIA BAKHTINA
— PATRICK K.-H.
— SECRETWAR
— VICTORIA MORGUNOVA
Read more...
Patrick K.-H. performing FWER
at “Ljubljana is calling” Festival
Concert/Performance
PREMIERE
Organized by CONA | institute for contemporary arts processing & The Acousmatic Project.
Realized with the support of SKE & AKM/austro mechana
Read more...
at “Ljubljana is calling” Festival
Concert/Performance
PREMIERE
Organized by CONA | institute for contemporary arts processing & The Acousmatic Project.
Realized with the support of SKE & AKM/austro mechana
Read more...
March 16, 2022
︎Kino Šiška/Katedrala hall, Trg prekomorskih brigad 3, 1000 Ljubljana, Slowenien
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︎Kino Šiška/Katedrala hall, Trg prekomorskih brigad 3, 1000 Ljubljana, Slowenien
︎
Alla Zagaykevych / ujif_notfound
(Kyiv/Ukraine)
Performance/Listening Session
In cooperation with
ELAK – Lehrgang für elektroakustische und experimentelle Musik / Certificate program in electroacoustic and experimental music
COVID rules
2G (vaccinated or recovered from a covid infection) and QR registration is required.
Read more...
(Kyiv/Ukraine)
Performance/Listening Session
In cooperation with
ELAK – Lehrgang für elektroakustische und experimentelle Musik / Certificate program in electroacoustic and experimental music
2G (vaccinated or recovered from a covid infection) and QR registration is required.
Read more...
March 11, 2022 | Performance starts at 19.30 | pay as you can
︎mdw – University of Music and Performing Arts Vienna | Anton-von-Webern-Platz 1, 1030 Wien | Klangtheater @ Future Art Lab, Raumcode VU149
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︎mdw – University of Music and Performing Arts Vienna | Anton-von-Webern-Platz 1, 1030 Wien | Klangtheater @ Future Art Lab, Raumcode VU149
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