FLOATING SOUND GALLERY

Vienna

Liao Lin-Ni

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by Catherine Peillon}

Compositrice, musicologue, chercheuse associée, Institut de Recherche en Musicologie (Université Paris-Sorbonne, CNRS-UMR 8223)

Born in Taipei, Taiwan, Liao Lin-Ni began her training in piano at the age of 4. In 2000, she obtained her degree in composition at the National Taiwan Normal University. During her post-graduate work, she studied with Yoshihisa Taïra at the Ecole Normale de Musique de Paris and received in 2003 her Diplomae Supérieur in composition before becoming the disciple of Allain Gaussin and Philippe Leroux. In 2019, she was selected by the CDMC (Centre Documentation de Musique Contemporaine) as one of 53 women composers representing 21st century music in the book Compositrice - l'Egalité en Act (Ed. MF).
Liao Lin-Ni received a doctorate in musicology from Sorbonne Université and is currently a chercheuse associée at the Institut de Recherche en musicologie (Sorbonne Université - Ministère de la Culture - Bibliothèque Nationale de France - Centre National de la Recherche Scientifique). Since 2011, she has been the artistic director of TPMC (Tout pour la Musique Contemporaine). The breadth of all her activities in creating new works gives her a depth of perspective which is reflected in her compositions.
Her music is the result of synesthesia with light, which evokes the nobility of breathing and silence. Her works summon nature in symbiosis with time and space. They exist between physical and musical gestures, between the visual and the auditory — particularly in TTy for large Tam-Tam, Time of Trees I & II for gestures by two pianists and shadows, Look back on time with kindly eyes and in one bird, one tree... for ensemble).
My music is often like the door of a house that is always open for others to enter and share. My work leaves room for all the others and other arts, and it is also a space for reflection and imagination.
These bagatelles can be easily broken down, expanded, recomposed, moved, regrouped, superimposed and can cohabitate with other (pieces).
We have a thousand facets. Music also offers a thousand possibilities. My music is an element among all the phenomena of nature. An element without limit in time or space, capable of harmonizing a moment of life, in the right circumstances
By proposing the same piece in different circumstances, it often generates a new perception of listening.