Circuit Fantôme
Series of Octophonic Pieces
︎Vronihof

SEASON 1,  JUL 29 – OCT 01,  2022, FRIDAY + SATURDAY

Daniel TERUGGI 
29/30 Jul      #01
 Luis NAÓN  05/06 Aug   #02
Mario MARY  12/13 Aug     #03
Philippe MION  19/20 Aug    #04
Pierre HENRY  26/27 Aug    #05
Sergey KHISMATOV 02/03 Sept  #06
Symphony of industrial Horns (reconstruction)
François BAYLE  09/10 Sept   #07
Christine GROULT, PATRICK K.-H.  16/17 Sept    #08
Beatriz FERREYRA  23/24 Sept  #09
Ksenia BAKHTINA, Vera BEZRUKOVA  30/01 Oct     #10


More about Circuit Fantôme...

supported by Stadt Wien Kultur and Institut Français


CONTACT / SUPPORT

︎  ︎  ︎  ︎ ︎

FLOATING SOUND GALLERY

Vienna










Colophon Soundcamp 2022
w/Ksenia Bakhtina, Patrick K.-H., Secretwar, Victoria Morgunova

April 30, 2022, 16.00 (CEST) 
︎ Link to Live Stream

Organized by CONA | institute for contemporary arts processing & the Acoustic Commons Network



Event
Colophon Soundcamp 2022

(the part of the Festival produced by CONA | institute for contemporary arts)

Event information from
CONA | institute for contemporary arts processing
soundcamp
Reveil 2022

Cona is participating at the Reveil streaming for the ninth year in a row. Brane Zorman/Cona i nvited artist Patrick K.-H., in partnership with Floating Sound Gallery Vienna to prepare a curated selection of sound art works which will be presented as part of the expanded program produced by CONA.

Organization: Brane Zorman in Irena Pivka
Curator: Patrick K.-H.
Promotion: Katarina Radaljac
Pictures: artists’ archive
Production: Cona, institute for contemporary arts processing, 2022




Programme
Broadcasted Artists and Works
 

Ksenia Bakhtina

Salva me
2022 (5'35“)

Salva me is a collage, a time slice of what is happening in the world. Wars,  political clashes of the world and clash of the inner world with reality. The  work uses field recordings that reflect the attitude to reality, which are  trying to tell a story, a complex story that may help to preserve the essence  of the value of human life. Sava me- translated from Latin "Save  me", this is the call of every person who is in the ongoing disaster.

Read more...  



Patrick K.-H.

Concrete choirs, movement 2020 (17’30“) 

Language is what makes conversations possible, and conversation is a quintessence of social activity, meaning survivorship—it is a cliché of what language meant to be and how it paved its way to nest in our brain. Electronic media and the new paradigm of “information explosion” that characterizes our times confront us with the limitations of the brain in processing information—indeed we suffer from information overload. But the bigger danger of information—what causes the infamous “paradox of rational ignorance”—is not only that we might be overwhelmed by how much data is, but that we interpret that we might be poisoned by it. And even if we could acquire as much information as we think we desire, there are certain sequences, messages and narratives a rational mind may not be willing to get. That “cursed” domain of language information presented in speech, which carries its traits of timbre, tonality, rhythm, linguistic, gender and other aspects classified as redundant, was adopted as sound objects—building blocks to constitute the “Concrète choirs”.

AorA 2020 (3’22“) / Concrète choirs series (since 2004)

an adjacent piece, a splinter that departed from the main body of “Concrète choirs” in search for its own way in life.

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Secretwar

Every week Noise Blog: Street (2’09“), Elevator radiostatic (1’49“)

Every week Noise Blog are sketches made using mono mic that I always have in my pocket. When in travel or at work I record soundscapes and some special sounds of trolleys, trams, vending machines. Then I glue it in a classic blog style to recreate a sound experience of my day.”

Secretwar, musician and songwriter who is making sound design and some classical style music for theatre ("Ufo" 2021, "Two on a seesaw" 2022). In the past, worked in contemporary art - voiced exhibitions with live performances (Denis Patrakeev "Sheba" (Russia), Johanna van Overmeir (Belgium) "Family", "Crossing").

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Victoria Morgunova

'the./border.'/1.2', 2021 (12’30“)

'the./border.'/1.2'  is one of the compositions of the multichannel spatial sound installation /'metronome.of.time./ that was created within the framework of 'The Border Laboratory' program of the festival Access Point VII for the site-specific sketch 'Endless Work'. The compositions were  named according to the spatial location of 10 bluetooth speakers in the building where performance took place, most of the speakers played several compositions, which is indicated in the title ['1]/['2], etc./. Part of the sound space of the installation consisted of sounds recorded during the laboratory: walking through abandoned buildings, electric current, birds singing in the Ivangorod fortress, etc. 

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Entire Soundcamp Festival 2022

Entire Festival - 30 April and 1 May, 2022
Check out the detailed all-day festival programme

main physical space: Stave Hill Ecological Park, London
main on-line space: soundtent.org/reveil

REVEIL SC 9 is a project of Soundcamp with Stave Hill Ecological Park (TCV). Soundcamp 2022 is a festival of the Acoustic Commons Network. The Acoustic Commons is an emerging network of live environmental streams which draw attention  to the unique sounds of particular places across Europe and beyond. Full Of Noises (Cumbria UK) · Locus Sonus (Aix FR) · Radio CONA (Ljubljana SLO) · HMU (Crete GR) · Cyberforest (Tokyo JP).


Thanks for the invitation for curating and performing at Colophon Soundcamp to CONA | institute for contemporary arts processing



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