Livia Giovaninetti > Foxp2
Katharina Klement > Wasserlauf
Patrick K.-H. > fwer
Angélica Castelló > Abismo
Paul Ramage > M comme Mauvaise recontre
Armando Balice > The light went out before I could see
Daniel Teruggi > The Shining Space
Paul Ramage > Romance is a ticket to Paradise
Patrick K.-H. > Postards
Maja Osojnik > EXPOSITION #01 / DOORWAYS #10
Qingqing Teng > Yin System
Bernhard Gál > Vierband
Volkmar Klien > Zusammengesetzt aus den Defiziten Vieler / Klingelkopfi – Kopfiklingel
Maylis Raynal > Ostadara (l´arc-en-ciel)
A project in cooperation with echoraum and Alcôme
Supported by Stadt Wien Kultur, BMKÖS, SKE
FLOATING SOUND GALLERY
Vienna
Jean-Baptiste Zellal
He approaches composition in the Conservatory of Music in Nice with Michel Pascal, Antony Maubert and Gaël Navard then in Mons with Philippe Mion and Ingrid Drese. In 2017, he holds a Master in acousmatic composition at the Superior School of Arts in Mons.
He creates and plays music in various ways. Passionate about live experimental music, his action integrates composition, electroacoustic performance, and acousmatic interpretation as well. His approach leads hime to work with many performers, musicians, poets, choreographers and stage director.
His music is regularly programmed in Belgian and international events: Ina-GRM (Paris), L’Espace du Son (Brussels), CIME (Moscow), Festival ReMusica (Prishtina) Festival MANCA (Nice), Monaco Electroacoustique (Monte-Carlo), JIME (Amiens). In 2017, he wins the first price of the spatialization interpretation contest in Brussels Festival L’Espace du Son.
SPORES (2017)
9mm
This piece is inspired by the explosive clouds of microscopic spores that certain plants can produce.
At first, it takes the form of a wandering through the dust, from which emerge energies of blind violence that gradually invade the whole space.
It is also inspired by strange impressions of my daily life, written against the background noise of the deaf and indifferent city.
This piece is inspired by the explosive clouds of microscopic spores that certain plants can produce.
At first, it takes the form of a wandering through the dust, from which emerge energies of blind violence that gradually invade the whole space.
It is also inspired by strange impressions of my daily life, written against the background noise of the deaf and indifferent city.