FLOATING SOUND GALLERY
Vienna
Circuit Fantôme
Season 2 Episode 2
Anastasia Koroleva + Zeynep Sarıkartal Weekly series of Octophonic Pieces
curated by Anton Iakhontov
June 02 - June 03, 2023 | 18.00-22.00
︎Vronihof
Veronikag. 24
1170 Wien
Information
About the Series
Live performance | Listening sessions
Circuit fantôme is a weekly performance series for octophonic music. It is put together by Anton Iakhontov and takes place in Vronihof, 1170 Vienna.
Don´t miss the other events of the series Full programme & dates ...
About the Series
Live performance | Listening sessions
Circuit fantôme is a weekly performance series for octophonic music. It is put together by Anton Iakhontov and takes place in Vronihof, 1170 Vienna.
Don´t miss the other events of the series Full programme & dates ...
Circuit Fantôme Season 2 Episode 2
Anastasia Koroleva + Zeynep Sarıkartal
@Vronihof
June 02, 2023 Friday
June 03, 2023 Saturday
Compositions
Anastasia Koroleva — 1. Repercussions (2023), 10’48’’ | 2. Cueva Hermano Pedro (2019) 10’00’’
Zeynep Sarıkartal — 1. Converse, 6'25’’ (2018) | 2. Taste of Pearl, 8'47’’ (2023 / video work by Ulduz Ahmadzadeh) | 3. Pezevenk Herifler, 3'47’’ (2022) | 4. Keine Frau für Muhammed, 6'25’’ (2019)
Anastasia Koroleva + Zeynep Sarıkartal
@Vronihof
June 02, 2023 Friday
18.00 – 22.00 Listening session
June 03, 2023 Saturday
18.00 – 22.00 Listening session
Compositions
Anastasia Koroleva — 1. Repercussions (2023), 10’48’’ | 2. Cueva Hermano Pedro (2019) 10’00’’
Zeynep Sarıkartal — 1. Converse, 6'25’’ (2018) | 2. Taste of Pearl, 8'47’’ (2023 / video work by Ulduz Ahmadzadeh) | 3. Pezevenk Herifler, 3'47’’ (2022) | 4. Keine Frau für Muhammed, 6'25’’ (2019)
What will happen in this Episode?
Anastasia Koroleva is the sound artist, interdisciplinary artist, performer. Based in Tenerife, Spain. Anastasia’s artistic interest lay in the study of the relationship between human and technology, the inclusion of natural and other agents in the process of creating art work, the impact of technology on sensority. The main medium is the sound.
Read more about Anastasia Koroleva
Zeynep Sarıkartal (1985, Ankara) is a sound-artist, improviser and researcher. She studied classical Piano in Ankara Bilkent Music School, had her Bachelor from Musicology in Istanbul Yildiz Technical University and her MA in University of Vienna in Ethnomusicology. Since 2010 she is based in Vienna and works as composer, improviser and sound artist in theater, film and multimedia projects, curates events, publishes articles, performs under the moniker ZS ZS.
Read more about Zeynep Sarıkartal
COMPOSITIONS:
Anastasia Koroleva
Repercussions (2023), 10’48’’
The multi-channel composition consists of field recordings made during a long journey that includes three countries. Sound memories of the places where you lived add up to jittery and fragmented pieces of narrative. The changing events of the sound pattern combine inserts from conversations, recorded voices, whispers.
The discontinuity of the composition is determined by the imposition of several narratives on top of each other and combining them into a single sound story.
Cueva Hermano Pedro (2019) 10’00’’
The composition uses the author's sound material recorded during a trip to the island of Tenerife. The sounds of the mountainous terrain and the ocean are interspersed with the urban environment and the noise of the airport, forming a sound collage.
Cueva Hermano Pedro is the development of an idea about the contradictory relationship between man and nature, which is constantly changing its vector of development.
Zeynep Sarıkartal
Converse, 6'25’’ (2018)
Taste of Pearl, 8'47’’ (2023 / video work by Ulduz Ahmadzadeh)
Pezevenk Herifler, 3'47’ (2022)
Keine Frau für Muhammed, 6'25’’ (2019)
Anastasia Koroleva
Repercussions (2023), 10’48’’
The multi-channel composition consists of field recordings made during a long journey that includes three countries. Sound memories of the places where you lived add up to jittery and fragmented pieces of narrative. The changing events of the sound pattern combine inserts from conversations, recorded voices, whispers.
The discontinuity of the composition is determined by the imposition of several narratives on top of each other and combining them into a single sound story.
Cueva Hermano Pedro (2019) 10’00’’
The composition uses the author's sound material recorded during a trip to the island of Tenerife. The sounds of the mountainous terrain and the ocean are interspersed with the urban environment and the noise of the airport, forming a sound collage.
Cueva Hermano Pedro is the development of an idea about the contradictory relationship between man and nature, which is constantly changing its vector of development.
Zeynep Sarıkartal
Converse, 6'25’’ (2018)
Taste of Pearl, 8'47’’ (2023 / video work by Ulduz Ahmadzadeh)
Pezevenk Herifler, 3'47’ (2022)
Keine Frau für Muhammed, 6'25’’ (2019)