Historia de la pólvora (2011, 10:48)
is the fourth movement of the work "La memoria del tiempo". This work takes as starting point the concept of sound memory. Like other types of memory, is both individual and collective, voluntary and involuntary, since sometimes it surprises us when it is stimulated by some event in the present. The experience of time is individual, but it is also inscribed in a historical time, shared with our contemporaries. This work is born from this cross-experience. Each movement, in its own way, focuses on a theme, an era, sounds and images. This one, specially focuses in certain facts occurred in the 60’s and 70’s.

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Retrato de la noche (2018, 9:08)
Music composed for "Portrait of what the night left behind", an experimental performance based on a portrait of Francis Bacon. It contains very brief quotes from works of Francois Bayle and Hildegard Von Bingen.

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Caída libre (2023, 5:04)
Work composed with recordings from the Iguazú Park. Footsteps, stops on a walk, fleeting voices, and sounds of the environment compose a sound plot not as a document or record, but from sound as a living matter.   

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El gesto ausente (2015, commissioned by the INA – GRM. 11:11)
Work dedicated to Bernard Parmegiani. From a fictional point of view, it imagines Parmegiani having a promenade in Buenos Aires hearing and feeling the rhythm of the city and its music from his own musical perspective. The title, and the work, also deals with the problematic of the gesture in acousmatic music. The gesture is not visible but aural. But how subtle a gesture can be before it is no longer perceived as such? How many gestures can be perceived at the same time before they are perceived as only one global gesture? The paradox, the contradiction, is present in many of the works of Parmegiani… The absence of a gesture, could be perceived as such?

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Canción de cuna (2022, 7:31)
For my daughter Olivia

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