We were extremely happy to have Daniel Teruggi in Vienna last November, thanx to Thomas Grill and ELAK Wien for hosting.
An insightful conference about history and evolution of GRM, GRM tools, SYTER, music programming, stereo and Acousmonium, electronic music studios, and the cherry on the cake - advises to young (actually not only) composers "Composer in the world".

FLOATING SOUND GALLERY

Vienna












Martina Claussen

Mezzo-Soprano, Vocal Artist, Composer, Performer

photo (c) Markus Gradwohl

Martina Claussen is a mezzo-soprano, vocal artist, composer and composer- performer
 
The focal point of her work lies in the interaction of her own voice, which also is the main sound source of her electroacoustic compositions, and live electronics. 

She studied voice, vocal pedagogy, computer music and electronic media at the University of Music and Performing Arts, Vienna.

Her compositions have been broadcasted by various radio stations in Europe and have been selected to be played at international Festivals such as Festival Futura 2015 and 2017 (Crest, France), Ars Electronica (2017 Linz, Austria), the BIMESP XI Bienal Internacional de Música Electroacústica 2016 de Sao Paulo (Brazil) and the New York City Electroacoustic Music Festival 2016 and 2017 (USA).

She works at the University of Music and Performing Arts Vienna where, since 2009, she holds the position of ao. Professor of Voice.
 



Compositions / Works
performed within the context of
Floating Sound Gallery
St. Petersburg and Vienna

“postglacial”, live performance - together w/Patrick K.-H. / 2022

Electroacoustic Music (Live Electronics / Objects / Voice)
Performance took place 07 August, 2022 at Naschmarkt / Kultursommer Wien 2022


Find out more about the project here



“flash back”, 6’49″ / 2016, stereo

The piece flash back plays with different timezones, perceptions and memories that don’t quite mirror what really happened in the past.
The use of the voice, objects and an analogue synthesizer along with an almost complete absence of effects, emphasizes an attempt to dock onto the past. This makes the memory seem more poetic than it actually was.

….a collection of memories….
 
 

[connected]1.2, 16’51″ /2017


The almost exclusive sound source of the piece [connected]1.2 is the human voice.
New acoustic spaces arise through a dialogue between voice and sound objects which allows a wide variety of associations.


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