Livia Giovaninetti > Foxp2
Katharina Klement > Wasserlauf
Patrick K.-H. > fwer
Angélica Castelló > Abismo
Paul Ramage > M comme Mauvaise recontre
Armando Balice > The light went out before I could see
Daniel Teruggi > The Shining Space
Paul Ramage > Romance is a ticket to Paradise
Patrick K.-H. > Postards
Maja Osojnik > EXPOSITION #01 / DOORWAYS #10
Qingqing Teng > Yin System
Bernhard Gál > Vierband
Volkmar Klien > Zusammengesetzt aus den Defiziten Vieler / Klingelkopfi – Kopfiklingel
Maylis Raynal > Ostadara (l´arc-en-ciel)
A project in cooperation with echoraum and Alcôme
Supported by Stadt Wien Kultur, BMKÖS, SKE
FLOATING SOUND GALLERY
Vienna
Seth Nehil
Seth Nehil is a multimedia artist living in Portland, OR. He has composed sound for CD, multi-speaker installations, solo and large-scale concerts, dance, theater and performance. An extensive discography includes releases on international labels. He has performed throughout the US, in Europe and Japan. Seth Nehil is co-editor and designer of FO A RM projects, publishing materials on arts and research, with a focus on sound art. He currently teaches Time Arts and Art Theory at the Pacific Northwest College of Art and Washington State University.
Swarm/Knives (February 2009)a sound installation
A space between events that is charged. To call, connecting across space and invigorating an atmosphere. To confuse space as time for making a music. To utilize an erotics of distance.
Flocking is horizontal and occurs at irregular intervals, forming clusters. Flocking is a form of continuity which links discrete sonic events into strands. Tumbling is vertical, a relationship between two or more strands. Tumble is the perceptual grouping of sequential sounds into causal relationships. Tumbling could be heard as a "meta-flocking" across layers of the music. These structures arise through accidental correspondence, emphasized purposefully."